Skip to content

Tell us what
you’re making.

We reply within two working days: a person, not a form letter.

A film, a launch or a campaign world. Tell us what it needs to achieve, who it needs to reach and where it needs to appear.

TC 00:00:31:12 · REC · A-CAM · STANDBY

A directed world forming inside a single frame.

REC · A-CAM · 2.39:1

What to send

The context, deadline and any useful reference or non-negotiable. A paragraph is enough.

What happens next

One of us will reply within two working days. We can then set up a call to talk through the brief.

The brief

Budget bracket (optional)

Smaller than the ladder? Say so in the brief.

What you send stays yours. We train nothing on client material.

Asked · Answered

  1. How long does it take?

    01 / 04 · REC

    Once the direction is approved, a short, clearly scoped piece can arrive in days, not weeks. Larger films need longer.

    Speed is a property of the build, never a discount on the thinking. What sets the timeline is visual complexity, the number of scenes and formats, and how promptly decisions come back. A clear brief moves; confusion does not.

  2. What do you need from us to begin?

    02 / 04 · REC

    The brand, the message, the audience, the platform and the deadline. A paragraph of truth is enough to build from.

    Send any reference or non-negotiable that matters, and say what the film must achieve. The brief needs enough truth to build from, not perfection; finding the film inside it is our job.

  3. What does it cost?

    03 / 04 · REC

    Scope decides cost: length, visual complexity, language versions and timeline. Define the ambition first, then we build the scope to fit it.

    We work with different budget levels, but not every budget buys every film. A short, clearly scoped piece and a multi-world campaign are not the same order of work. Tell us the budget range on the brief and we will say honestly what it can reach.

  4. How do revisions work?

    04 / 04 · REC

    Revision rounds are agreed before the project begins. Small refinements are part of the process; a change of concept is a change of scope.

    The goal is the right film, not an endless loop of versions. If the direction shifts after approval, we re-scope it honestly instead of quietly absorbing it into a weaker cut.